Put both workloads on one edge and the surge wins, every time, at the moment the
archive can least afford to lose.
The conflict, concretely
During a live event, tens of thousands of viewers request the same few segments
within seconds of each other. The working set is tiny and it moves continuously.
Cache it aggressively and hit ratio is near-perfect.
An archive is the opposite: a large working set, sparsely and unpredictably
accessed, where any given slice may be requested twice a week.
Share a machine and the live working set — small, hot, constantly refreshed —
evicts the archive's. When the match ends, every archive request is a miss
against an origin that is also recovering.
| Live | On demand |
|---|
| Working set | Tiny, moving | Large, static |
| Concurrency shape | A cliff, on a schedule | A smooth curve |
| Tolerance for a stall | None | Some |
| Right eviction policy | Aggressive | Conservative |
| Failure impact | Everyone at once | A few people |
The structural answer
Two edges. Same hardware budget, split rather than pooled, with their own cache
policies and their own failure domains.
The gain is not only cache behaviour. It is that a live failure and an archive
failure stop being the same incident — and on the night that matters, the thing
you most want is for the blast radius to be smaller than the whole service.
Peak night is the architecture
An average-day design fails on the one night that matters. Broadcast
concurrency is a flat line with a cliff in it, and the cliff arrives on a
schedule everyone already knows. That is a gift — it can be planned for — and a
trap, because a platform sized for the average falls over exactly when the
audience and the coverage are largest.
What this costs
Two machines held at a utilisation neither would justify alone. That is real,
and it is the price of the failure domains. For a service that is purely
on-demand it is not worth paying; for anyone carrying live events it is the
cheapest insurance in the architecture.
More on how this shapes a broadcast deployment on the
broadcasters page.